And what a short, strange trip it was. Music has mourned the death of our planet for decades. How do we prepare for devastation, and can we reckon with how useless our efforts to stop it have been? Such questions have largely gone unasked in the indie sphere, especially as the genre signifier has transitioned over the last decade from ethos to marketing term.
We asked Grimes to elaborate. The lyrics are so worshipful. There's a subtext that they're kind of scared. But A. They made me. Just at random. And it will know everything about everybody. So it will be angry and punish people who try to inhibit it. I'm not necessarily positive that A. Like with corruption in government, it's potentially worth taking the chance of having an A. Because at least it's objective and probably doesn't care about money. It can just get whatever it wants. Maybe the A. But the main people who are going to be saved are the people working to bring it to fruition.
Sigh, stare up at the ceiling fan and ponder the song as if it were a text? Or do what you do when some other tune catches you — flail your limbs, move your hips in weird little circles, bob your head rhythmically up and down? The world was built for pop songs: Public spaces pump the voices of stars through speakers the way air flows through ventilation ducts, and that sweet, consistent flavor — like Diet Coke or pamplemousse LaCroix — pairs easily enough with any modern pastime.
But if the territory of pop music is everywhere, how and where does a piece of art pop — something equal parts challenging and engaging — make its home? Julia Holter, a Los Angeles-based artist with a background in composition, answers this question by creating otherworldly spaces in her own work. From its opening — a cacophony of cymbals and anxiously pacing strings — the album is a study in creating a private dwelling place amid the chaos and uncertainty of the world. The worlds glimpsed here are varied, sometimes wildly so, but what they share is the sense that they are not so much depicting reality as taking inspiration from it, channeling familiar features into new forms.
Holter, in other words, takes the garden path to catharsis, allowing something uplifting to emerge from the tumult, making chaos resolve itself into something humane and beautiful and full of intention.
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And she has found, even at music festivals and rock clubs, hushed and attentive audiences for this. Her performances are absorbing: They highlight the organic beauty and authority of her voice, the way the meanings of words can be a sort of veneer over their untamed musicality.
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The music rewards more than just hearing it. It rewards some other kind of listening, asking you to let yourself become porous. And lately it can fill an appetite that seems both modern and primal at once: to make whole a fractured attention span, to find a ritual that works. Our days are full of tiny slivers of time that we offhandedly cram with music, filling the gaps between tasks and places like someone idly coloring in a picture. Though the song began as a demo by the L. Neither does Adam Levine who gets a writing credit or his happy-to-be-here sidemen who constitute the Maroon 5 touring entity.
As the camera circles, Levine stands in the center of a soundstage, arms by his side, his voice skipping nimbly over the melody. As the verse-chorus unfolds, Levine is joined one at a time, their backs to his back, by the 26 women. Then, less than two minutes in, he suddenly disappears, as if ceding the spotlight.
When Cardi B delivers her final flourish, he returns briefly, but by the end of the video, the soundstage is occupied by only the women. Adam Levine is to a rock star as a rock star is to a rapper. At least in this moment, he leaves the pocket T-shirt on, keeps the guitar in the closet and hands the mic to the long-suffering women who have chosen to support him.
For the first time, maybe ever, he flashes some legit star-power potency.
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What in the world happened here? I was only gone for an hour!
Some elements were familiar a crew of guys in front of a brownstone, drinking and mugging for the camera , and some were menacing the number of red bandannas and guns on display , but it was the man at the center of the video who startled me most; he seemed almost precision-engineered to make people feel old. In an era when most young rappers have a couple of face tattoos, 6ix9ine had the number 69 inked above his right eye in point type.
He had the same number spelled out in cursive over his left eye. It was everywhere on his body. Within about a year, he would be in federal custody, a year-old facing life in prison for a number of charges, including racketeering and attempted murder. Normally this sort of arrest leads to an outcry about literal-minded police overreach. Not this time.
People generally seemed pleased to see the rapper in cuffs. This was partly because 6ix9ine was universally reviled by music critics and journalists, on account of a crime he committed before he became famous: In , he pleaded guilty to the use of a minor in a sexual performance, for having filmed and shared on social media a video of a girl performing oral sex on his friend. But it was also because he had spent the past year living the life of a Looney Tunes character: courting danger, narrowly escaping it, then taunting his foes.
This genuinely incredible run netted him more than stories on TMZ: gang members in San Antonio threatening his life; a shootout at the Barclays Center; shots fired at a video shoot in Brooklyn; more shots fired at a Beverly Hills video set.
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Through it all, he posted on Instagram, usually wearing red, often handling bricks of cash, sometimes clutching extremely illegal-looking guns, but never betraying an ounce of concern for his well-being. Cultivating this sort of personal mythology is not at all new; it dates back to the earliest days of gangsta rap. Ever since Eazy-E bankrolled NWA with drug money, a certain proximity to criminality has been expected of certain rappers. Not long ago, rappers had just a few limited channels through which to prove that they did: lyrics, album art and, if they were famous enough, music videos.
Like Old Testament gods, they willed whole universes into being through their words. Now they have social media. This sort of online mythmaking is second nature to SoundCloud rappers, so called for the streaming service that birthed the scene. SoundCloud rap is not characterized by a particular sound so much as its anarchic energy — the face tattoos, the prescription drugs, the orthographically complex handles.
The problem, for 6ix9ine, was that a big part of his adopted persona, both on Instagram and in his music, involved being a member of the Nine Trey Gangsta Bloods. According to a Rolling Stone profile that came out after his arrest in November, this was essentially an act: Danny Hernandez, in the years leading up to his fame, had been a trollish and goofy Bushwick deli employee; his industry blacklisting had pushed him into the hands of an apparently gang-affiliated manager, who also provided him with a new edge. Maybe the whole thing really was a put-on, but also, he really did it.
The Rolling Stone article recounts how, at his arraignment, the presiding judge asked the prosecution how it knew Hernandez was at real-life crime scenes. A liminal space has always existed between rappers and their personas.http://hoa10gio.com/includes/2019-08-20/803.php
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The gap between 6ix9ine and Danny Hernandez was considerably wider, but he snapped it shut with his phone, merging fantasy with reality through a front-facing camera. It was reported in February that 6ix9ine, who pleaded guilty, agreed to help prosecutors in their case against his co-defendants, hoping for leniency: a reduced sentence and possibly witness protection.
But helping 6ix9ine disappear into some corner of America might prove difficult, and not just because of the tattoos. In , the Swedish singer-songwriter Robyn turned 14 and finished middle school; then she signed a record deal. A feeling of healing from sadness and wanting to share that with the world and with myself — a sense of self-love, excitement, some kind of peace of mind. Like when your strength is coming back.
Intimacy, definitely, but it could be with yourself. Any experience you have that will give you a new point in your scale of emotions will make any other experience richer because you have a new point of reference. Not reserving that deep pleasure for a sexual sensation, but something you could experience day to day. Intimacy in every little thing. I feel like I have to work for it every day. You get it going and then you can use it and tend to it and start it back up again.
Is your fire well tended? Not at all. I maybe need to go back and listen to some of my songs myself to figure this out. Your songs are known for intermingling sadness and euphoria. I used to believe it would all make sense if you just powered through.
Post-recession capitalism has glorified the hustle so much. But you can actually use a story that relates to something more real than buying yourself out of anxiety.
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